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As children, our imaginations run wild and finger-painted artistic creations are proudly displayed on our family refrigerators. But as we grow older, we learn to color inside the lines, and have less and less time for art. We often lose touch with how satisfying it is to create something uniquely our own. Olympus delivers the E-620 digital single lens reflex (DSLR) camera to bring back that free-style experimenting and the magical feeling of being inspired (more…)

From the Director

This DVD is REGION FREE. Running time is approx. 109 minutes. This DVD was developed for new to intermediate photographers and first time owners of a digital SLR camera.

Take great pictures with your Sony A100! All you need is this training DVD and about two hours, and you will have the knowledge and confidence to create the images you want. The topics are arranged in chapters, so you can move at your own pace, and return later to individ (more…)

Welcome to the D90, Nikon’s newest full-featured—yet compact and affordable—digital SLR camera. David Busch’s Nikon D90 Guide to Digital SLR Photography shows you how to maximize your camera’s robust feature set, blazing fast automatic focus, the real-time preview system Live View, HDTV movie-making capabilities, and the Retouch mode that allows you to edit your picture in the camera, to take outstanding photos. You’ll learn how, when, and, most importantly, why to use eac (more…)

  Reviewed By Warehouse Express’ technical expert Ben Weeks. Another morning, another train to London for another Canon camera launch. This is becoming something of a habit. Still, at least this one is late enough in the day that I can avoid the early morning commuter crush. A country boy I may be, but that doesn’t mean I enjoy feeling like livestock on the way to market. Indeed, this morning’s voyage has been rather pleasant. It started off, as many do, with a taxi to the train station. We’ve all been there; sat in the front passenger seat next to a complete stranger. You don’t want to appear rude and spend the entire journey in resolute silence, but you know nothing about this person next to you, so how do you commence conversation? Inevitably, the same old chestnuts flow; “Are you just starting or just finishing your shift?”, or “Busy at the moment?”, or that all-time favourite failsafe of the British travelling public “Isn’t this weather terrible?” This morning, however, the conversation was free-flowing from the moment the driver asked where I was going. After I explained the reason for my trip to London, a lengthy discussion ensued regarding the status of the camera market at present. My chauffeur was obviously well informed. He enquired as to whether the increasing popularity and quality of camera-phones was having an effect on camera sales, so we talked about compact cameras versus camera-phones, SLRs versus compact cameras, stills photography versus video, DVD versus hard-drive recording and even Betamax versus VHS. The conclusion we came to was that the most successful players in any of the electronics markets today were the ones who had been able to adapt; those manufacturers who, rather than burying their heads in the sand and hoping that the latest developments in the hi-tech world will pass them by and leave their little corner untouched, embrace the new technologies on offer and incorporate them into their portfolio of products. It is this thought that I currently have in my head as the Suffolk countryside passes by outside the train window. There’s no denying it; Canon are a success story. Along with other brands, they not only excelled in the traditional film based photography of past, but have adapted to, and in many cases led, the change over to a now almost entirely digital industry. However, it’s also fair to say that it’s been a while since Canon launched an SLR camera that has forced photographers to sit up and take notice of what they are doing. This launch could therefore be very important for them. I, like many people, have my suspicions as to what this new model might be, and if it is what we think it is, then it’s a model that has been anticipated for some time by existing Canon SLR users and those looking to invest in an EOS system alike. So, will it be what we think it is and, perhaps more importantly, will it demonstrate Canon’s ability to evolve with the ever-changing world of digital photography? If their HQ at Woodhatch is anything to go by, Canon are evolving just fine, thank you very much. The building, which seems to be made almost entirely out of glass and timber, is itself awash with technological advances. Solar panels on the roof can produce enough electricity to light 50 homes and the computer controlled window shutters open and close to maintain the internal temperature. The lighting adjusts itself depending on the ambient light levels and turns off automatically if there’s no one in the area. In short, Canon’s UK home is a technological masterpiece. What better environment to launch their latest hi-tech offering? After the prerequisite coffee and nibbles, it’s time to meet the newcomer. It is of course Canon’s replacement for the now somewhat long-in-the-tooth EOS 5D. Despite the rumours, it is not the EOS 7D, but rather the more straightforwardly named Canon EOS 5D Mark II. With a staggering 21.1 mega pixels, the resolution of the 5D Mk II is a whopping 65% more than its predecessor. 21.1 million pixels. That’s nearly 1 pixel for every person in Australia. Other marked improvements include a 3.0” display screen, 3.9 frames per second shooting, improved self-cleaning system, Live View and increased ISO range (ISO100-6400; expandable to ISO 50-25,600). In addition, the new Canon EOS 5D Mk II contains Canon’s latest DiG!C 4 processor; the original 5D uses the DiG!C 2. It’s hardly surprising that there are so many advances; the Canon EOS 5D Mark II has been a long time coming! Bear in mind that at the time of its launch, the original 5D was the next model up from the EOS 20D. Since then we’ve had the 30D, then the 40D, and most recently the 50D, which the Canon EOS 5D Mk II now sits above. However, without a doubt one of Canon’s bravest moves with the Canon EOS 5D Mark II is the inclusion of a full HD 1920×1080p 30 frame per second video capture. If this performs as well in real life as it does on paper (we weren’t allowed to try it at the launch), then it’s an incredible addition to a remarkable machine. The movie mode is activated by pressing the “set” button in the centre of the rear control wheel. Press it once to record and again to stop; dead simple. But to avoid the movie mode being activated accidentally, it is necessary to turn it on in the menu and it can only be used with Live View. When playing with, sorry, testing Canon’s new toy, it becomes apparent that the Canon 5D Mark II is probably the most appropriate title for this new EOS. So similar is it to the original model that using it will be second nature to any 5D owner. Sure, there have been some minor tweaks in the layout of the function buttons, mainly to accommodate some new ones, and the Canon Mark II has had the same weatherproofing upgrade the 50D was given, but it still looks and feels like the original 5D. So much so in fact, that the people at Canon were keen to point out to me that the new version is exactly the same size and weight as the old model. I would have anticipated that 8,300,000 extra pixels would have added something, but no, not a sausage. Following hot on the heels of the Canon EOS 50D as it does, it comes as no great shock to find that the Canon 5D Mark II shares many of that camera’s advances. The weatherproofing and Live View have already been mentioned, but the Canon EOS 5D Mark II also has the quick start menu found on the 50D which enables the user to change shooting settings with ease. Bearing in mind the pro/semi-pro market that this camera is aimed at, this facility is possibly even more useful on the Canon 5D Mark II than on the 50D. It’s something I rated the EOS 50D highly for, so it’s only fair that I mention it as a slight negative for the Canon 5D Mark II, but unlike it’s lower spec stable-mate, the new EOS does not share its predecessor’s range of accessories. Whereas the 50D shares batteries and battery grip with the 40D, owners of the original 5D will find themselves having to replace existing batteries and grips as the EOS 5D Mk II takes the new LP-E6 battery and BG-E6 grip. I would very much have liked to have taken some images with Canon’s new baby to include on this article, but unfortunately this was a definite impossibility. No sooner had I taken the Compact Flash card from my pocket than I was practically jumped on by several burly looking Canon people and their Pro guy Mike gave me a look usually only seen on Victorian headmistresses and pre-menstrual traffic wardens. I put the card back into my pocket and backed slowly away. However, Canon had enlisted the services of professional photographer and writer, Damien Lovegrove. Weddings are one of Damien’s specialities and via a studio shoot with an obliging model in a wedding dress, Damien was able to showcase the performance EOS 5D MkII. One of the things that he was clearly taken by was the low image noise levels, something he was able to demonstrate superbly by shooting his model at ISO 6,400 in a dimly lit corridor. The level of detail and lack of noise in the shadow areas was superb, but until I’m allowed to shoot some images myself to show you, you’ll have to take my word for it. Perhaps the most telling statement about this camera is this; when the demonstration was over I approached Damien and put a few questions to him. Amongst other things relating to the Canon EOS 5D Mark II’s suitability for his area of photography (the answer was “very”), I asked Damien if the new Canon EOS 5D Mark II would be a good back-up camera for pro photographers using Canon’s 1D and 1Ds range of cameras. “No.” he replied, “It’s better than that.” High praise indeed.   Canon EOS 5D Mark II Digital SLRDigital Cameras
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Manufacturer Description

The new Olympus E-520 digital single lens reflex (DSLR) camera delivers brilliant images thanks to advanced technologies that help take the blur out. Industry leading Image Stabilization built into the portable camera body compensates for movement so that images are sharp and blur-free with any lens and even at slow shutter speeds. Autofocus Live View brings subjects into sharp focus on the camera’s HyperCrystal II LCD. Together, these technologies pro (more…)

The Opteka padded camera grip wraps around the hand, and is designed to stabilize a camera or camcorder when shooting, and to alleviate fatigue during extended sessions of photography or videography. Compatible with all Canon, Nikon, Sony, Olympus, Pentax, and Samsung DSLR cameras that feature a standard 1/4″-20 tripod socket .

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Welcome to the D90, Nikon’s newest full-featured—yet compact and affordable—digital SLR camera. David Busch’s Nikon D90 Guide to Digital SLR Photography shows you how to maximize your camera’s robust feature set, blazing fast automatic focus, the real-time preview system Live View, HDTV movie-making capabilities, and the Retouch mode that allows you to edit your picture in the camera, to take outstanding photos. You’ll learn how, when, and, most importantly, why to use eac (more…)

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The FinePix S2 Pro is the second-generation professional-body SLR to feature FujiFilm’s next generation Super-CCD sensor system for professional photography. The FinePix S2 offers a full feature set that’s perfect for professional photographers, including a resolution of 6.17 million effective pixels and compatibility with Nikon F-mount lenses as well as a majority of Nikkor AF lenses. Optics and Resolution The 6.17 million effective pixels translate to 12 million re (more…)

Few would argue that more people than ever can take pictures of real quality, as digital photography and the equipment available opens up opportunities for the keen amateur. Modern digital SLR cameras are boasting more and more megapixels and features, which can almost make photography seem too easy. However, there is functionality and easy to grasp techniques that many budding photographers never take advantage of. This article aims to address a few of the digital photography tricks and tools available. Camera shake is the surest way to ruin a photograph, and can still occur even with your camera secured to a tripod. For example, you still have to press the shutter, and this causes some movement. This will ultimately affect the sharpness of your final image. There are two ways this can be avoided. The first is to use a remote control shutter release button, or the less expensive cable release alternative – both will do the job well. Otherwise, you can set your camera’s self timer option. All that is required is that you set up the shot and settings, then stand back while the camera carries out the shutter press for you. No matter how much care has been taken during the original shoot, most modern day photographers will carry out subsequent image manipulation. To give you the opportunity of making the most of this facility, it is always a good idea to shoot your original image in RAW rather than JPEG format. JPEG images contain 256 brightness levels in each of the three colour channels (red, green and blue). However, RAW files contain up to 16,384 levels, which means you can have much more influence when amending your image, for instance making significant changes to highlights or shadows. One of the digital photography tricks to consider is using your SLR’s Live View mode. Here you can set up your photo on the LCD monitor, rather than the viewfinder. One advantage to using this is the number of viewpoints you can use, for example, holding the camera above a crowd of people, and still being able to get an idea of what the final image will look like. Many people believe that it is easier to see the final composition by using Live View as opposed to the viewfinder. Once upon a time, ISO was determined by the film you used. That is to say that you would be forced to stay with, for example, ISO 200 for all 36 shots if that was the film in the camera. However, with digital photography, you can adjust ISO for every picture you take, if necessary. Generally, an ISO setting of 640 or above can start to show some noise in your image. You need to consider the trade off between upping the ISO to allow shots in dark conditions, and accepting some noise, or missing the image altogether. In most cases, the auto ISO setting would work sufficiently. These are just a few of the digital photography tricks that you can use, to help unravel the mysteries of your SLR. If you found these <a href="http://www.photographycourseonline.info” rel=”nofollow”>digital photography tricks helpful, and would like to find out how you could be taking simply stunning shots within a couple of weeks, check out http://www.photographycourseonline.info for full details.cheap tickets to the Philippines

Shop for a digital camera today and you’ll be overwhelmed with the choices available. Whatever your budget, you’ll find dozens of cameras available at your fingertips. Some have similar features, some are small, others are clunky, and you can even buy one in your favorite color.

How do you pick the digital camera that’s right for you? Here are 5 things we suggest you consider before making your choice.

Whatever camera you’re using, you can take good pictures by knowing a few basic guidelines and some pro-level tips. Get them from http://f9485rkpl0s82ukyn8kgoizgqs.hop.clickbank.net/

To create a shortlist of digital cameras, here are the top 5 things to consider:

1. Your budget

Decide how much you’re willing or able to spend on your new camera, and limit your research to cameras within that budget. Why waste your time oohing and aaahing over the latest coolest gadget only to discover that it’s beyond your  means? Now you can look at the cameras within your budget. The next thing to consider is…

2. Your photography needs

What types of pictures will you be taking – portraits? landscapes? sports pictures? indoor or outdoor? The answer to this question will help you determine which features are important for you. If you’ll mainly be taking snapshots of your children, you’ll probably want a camera with face recognition feature and easy red-eye reduction. On the other hand, if you’re always trying to capture action shots from your son’s soccer game, you’ll want a camera with high-speed burst shooting.

3. How you print your pictures

You also need to ask yourself how you print your pictures. Do you make 4 x 6-inch prints at home or at the drugstore? Then you won’t need a camera with huge amounts of megapixels. On the other hand, if you sometimes make poster-sized prints, then look for a minimum of 10 megapixels. If you don’t even print your pictures but share them online and via email, you need even less.

4. Who uses the camera

Will your spouse, children or co-workers be using the camera as well? Then you’ll need a camera that’s easy enough for them to use. Digital cameras that offer automatic program settings are easy enough even for children to use. Image stabilization also comes in handy when young ones or amateurs use the camera.

5. How serious you are with digital photography

Do you foresee yourself growing beyond a digital photography enthusiast to possibly becoming semi-professional? Then look for a camera with features that will grow with your skills. For example, a digital camera which allows you to make your own aperture, shutter speed, focus and other settings will give you enough room to experiment.

We suggest you use this guide to make a shortlist of digital cameras, and then head to the nearest electronics shop and look at each of the shortlisted cameras in person. Note how each camera feels in your hand, how easy it is for you to reach the buttons and manipulate them, and how solid the camera feels.

A camera can only do so much. The quality of a picture still depends on the person taking it. If you’re serious about taking good digital pictures, download you copy of this <a href=”http://www.learndigitalphotographynow.com/a.php?a=sbridges14″>digital photography report.</a> This free report will give you tips on how to take digital pictures like a professional. Get it now.